Wherever Joseph Wolverton performs, he garners acclaim from both critics and audiences alike, emerging as one of America's most gifted tenors--praised for his technique, fluid line, and expression. Performance reviews have described his voice as "shiny, limpid", "with a lucid, plangent timbre," and "notable for lyricism and refinement." Equally at home on both the operatic stage and in the concert hall, Joseph Wolverton's artistry traverses a broad spectrum of musical styles--from bel canto to modern--and he appears with leading orchestras and opera companies nationwide and in Europe.Engagements in the current and future seasons include Alfred in Die Fledermaus (Fresno Opera) where he also participates in an Opera gala later this season, the title role in Faust (Utah Opera), Mario Cavaradossi in Tosca (Norrlandsoperan, Umeå, Sweden) (Hilton Head, South Carolina), Edgardo in Lucia di Lammermoor (Opera Carolina), Beethoven's 9th Symphony with the Symfoniorkestern NorrlandsOperan and Christmas Pops Concerts led by Doc Severinsen with the Minnesota Orchestra and Milwaukee Symphony. Mr. Wolverton has also been honored with an invitation from The Amici di Verdi Society to perform a recital at the Salone di Barezzi in Busseto, Italy.
Although his diverse repertoire encompasses French Romanticism, Mozart, Operetta, and other genres, Joseph Wolverton is particularly distinguished in interpreting the lyric heroes of the Italian school, including those of Bellini, Donizetti, Verdi, Puccini, and Mascagni. The critically acclaimed recording of the latter composer's Silvano captures Wolverton's outstanding performance in the title role (Elysium Records). A Mascagni specialist, Mr. Wolverton's research in this area prompted the discovery and compilation of rare art songs by the composer. A project for performance and recording of the historic material is in the planning stages.
Highlights of Mr. Wolverton's performances during recent past seasons include:
Pinkerton in Madama Butterfly (New York City Opera, New Orleans Opera, and Baltimore Opera)
Mario Cavaradossi in Tosca (Dallas Opera and Opera Grand Rapids)
"Paul" in the U.S. premiere of Krasa's Verlogbung in Traum (Bethrothal in a Dream) at the Washington Opera
Turiddu in Mascagni's Cavalleria Rusticana (Florentine Opera and Opera Grand Rapids)
Il Duca in Rigoletto (Tulsa Opera and Seattle Opera)
Alfredo in La Traviata (Fresno Opera, Minnesota Opera, Opera Colorado and Palm Beach Opera)
Nemorino in L'Elisir d'Amore (L'Opéra de Montréal)
Ferrando in Cosi fan tutte (Utah Opera and Chautauqua Opera)
Riccardo in Un Ballo in Maschera (Knoxville Opera)
Edgardo in Lucia di Lammermoor; (Teatro de la Opera in Puerto Rico and Knoxville Opera)
Rinuccio in Gianni Schicchi (Seattle Opera)
Hoffmann in Les Contes d'Hoffmann (Knoxville Opera and Opera Grand Rapids)
Des Grieux in Manon (Portand Opera)
Faust (Michigan Opera, Opera Pacific and Opera Grand Rapids)
Pollione in Bellini's Norma (Fort Worth Opera and Toledo Opera)
Leicester in Maria Stuarda (Chautauqua Opera)
His European engagements have included Mario Cavaradossi in Tosca at De Munt/La Monnaie (Brussells), Edgardo in Lucia di Lammermoor at Gran Teatre del Liceu (Barcelona), Nemorino in L'Elisir d'Amore with Hamburgische Staatsoper, Turiddu in Cavalleria Rusticana and Roberto in Le Villi with Opera Bergen (Norway), Werther in Malaga, Spain and Pinkerton in Madama Butterfly with the Dublin Opera and Opera Cork, Ireland.
His extensive symphonic and concert repertoire includes Missa Solemnis (Beethoven), Symphony #9 (Beethoven), Requiem (Berlioz), Symphony #8 (Mahler), Requiem (Verdi), and feature appearances with the Chicago Symphony Orchestra, Detroit Symphony, Phoenix Symphony, Indianapolis Symphony, Denver Symphony, Kansas City Symphony, The Louisville Orchestra, New Jersey Symphony, as well as his debut with the National Symphony Orchestra and Buffalo Philharmonic led by Doc Severinsen, among many others.
Mr. Wolverton studied at the Juilliard School and at the American Conservatory of Music in his native Chicago. He is a winner of the Opera Company of Philadelphia's Pavarotti Competition and the recipient of grants from the William Matheus Sullivan Foundation and the Puccini Foundation.
Repertoire or Discography
Operatic Repertoire
Bellini Norma Pollione
Donizetti Don Pasquale Ernesto
L'Elisir d'Amore Nemorino
La Fille du Régiment Tonio
Lucia di Lammermoor Edgardo
Maria Stuarda Leicester
Von Flotow Martha Lionel
Gounod Faust Faust
Romeo et Juliette Romeo
Krása Verlobung in Traum Paul
Mascagni Cavalleria Rusticana Turiddu
Silvano Silvano
Massenet Manon Des Grieux
Werther Werther
Mozart Così fan tutte Ferrando
Die Zauberflöte Tamino
Offenbach Les Contes d'Hoffmann Hoffmann
Puccini La Bohème Rodolfo
Gianni Schicchi Rinuccio
Madama Butterfly Pinkerton
Tosca Mario Cavaradossi
Le Villi Roberto
J. Strauss Die Fledermaus Alfred
R. Strauss Der Rosenkavalier Italian Singer
Tchaikovsky Eugene Onegin Lensky
Verdi Un Ballo in Maschera Riccardo
Falstaff Fenton
Macbeth Macduff
Otello Cassio
Rigoletto Il Duca
La Traviata Alfredo
Orchestral Repertoire
Bach Magnificat
Beethoven Mass in C Major
Missa Solemnis
Symphony No. 9
Berlioz L'Enfance dû Christ
Requiem
Te Deum
Damnation of Faust
Britten Serenade for Tenor and Horn
Handel Messiah
Haydn Creation
Lord Nelson Mass
Mass to St. Cecilia
Seasons
Liszt Faust Symphony
Psalm 13
Mahler Symphony #8
Mendelssohn Elijah
St. Paul Oratorio
Mozart Mass in C major, K. 317 (Coronation)
Mass in C minor, K. 427
Requiem
Puccini Messa di Gloria
Rossini Stabat Mater
Schubert Mass in C
Mass in E flat
Mass in G
Tchaikovsky Romeo and Juliet
Verdi Requiem